Democrats Plunge Virginia Backward

November 4, 2021

By Karen

Just like their dithering role models in Congress, Virginia Democrats failed to vote in this week’s statewide elections by just enough (~2 points) to make us lose EVERYTHING. In one day, they turned our totally blue state to flaming red by letting Republicans become governor, lieutenant governor and attorney general, and regain a majority in the House of Delegates.

Trump is gloating because — despite losing Virginia TWICE — he’s now got the state in his greasy pocket.

Our next governor, Glenn Youngkin, whom Stephen Colbert aptly described as “the love child of Mr. Rogers and Ted Cruz,” vows to “change the direction of Virginia.”

The vacant eyes, the vapid smile of Virginia’s next Republican governor

Youngkin will come to power inheriting a multi-billion-dollar budget surplus, COVID on the wane, again, the Civil War and its iconography no longer a “thing,” and women able to get abortions without undergoing the invasive, unnecessary transvaginal ultrasounds pervy Republicans mandated when they last ran the show. This is the direction he wants to change.

Youngkin, a millionaire and former CEO of a hedge fund, has never held an elected office in his life. While pretending he had nothing to do with Trump, he blew Trump’s ignorance and divisiveness through a foghorn that echoed in every dark corner of the state where knuckle-draggers get along jes’ fine with no book larnin’.

He encouraged parents who never read the book to demand banning Toni Morrison’s Pulitzer Prize-winning Beloved — because it makes slavery look bad and it’s written by a black woman.

He’s also got parents’ panties in a bunch over critical race theory. They have no idea what it is, it’s NOT taught in Virginia, but they’re slavering to abolish it — because they innately know more than teachers.

I won’t be surprised when they make Gone with the Wind a textbook and mandate it in all high schools as the definitive word on the Civil War.

And Monument Avenue could very well get all its statues of loser Civil War generals back. The pedestals are still there, just waiting.

For Virginia now to “change direction,” Youngkin means to turn it into East Coast Texas. He must be itching to ban as many abortions as possible, allow even more extreme gerrymandering, and procedurally disenfranchise Democratic (ahem, minority) voters under the guise of “election integrity.”

(NOTE: Even though the top three Republican ass clowns won by just a point or two, no Democrats are screaming this election was stolen. We’re not that abysmally stupid.)

And let’s not forget the death penalty, which Virginia abolished earlier this year. Youngkin must certainly want to revive that while he’s rolling back all gun control so Virginia can proudly resume giving every homicidal nut job on the Eastern Seaboard a hassle-free experience expanding their arsenals with unlimited numbers of guns and assault weapons.

Once murders pick up again, Youngkin will want to keep Virginia’s prisons from overcrowding by having the option of speedy executions. Of course, he’ll consider pardoning any felon who declares their victim “needed killing” (i.e., the shooter is white, the victim wasn’t).

That’s justice, Republican-style.

Ever heard our famous slogan, “Virginia is for lovers”? Forget that if you’re LGBTQ. Our leaders don’t want your kind around here. And don’t expect any legal accommodations that might spare you from being personally persecuted and discriminated against in housing, jobs and services.

It’s only a matter of time before Youngkin makes his obligatory trek to Mar-a-Lago to kiss the ring of his lord and master, whose repeated endorsements (which Youngkin pretended to ignore) undoubtedly delivered the voters that no candidate appealing to reason or decency could ever hope to reach.

And now Virginia’s going to pay. Thanks a lot, Democrats. You blew it bigly.


Conversation with Tom Vitale, Conclusion

October 27, 2021

By Karen

Tom Vitale is author of In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain. Days after the interview excerpt with him that follows, I was watching the Roadrunner documentary DVD and had another “Cats Working May be Haunted” moment related to today’s post.

In the same instant the video shifted to Asia the girlfriend, the table lamp blew its bulb. My light bulbs always fail when I first switch lamps on, not after they’ve been burning a few hours. Maybe it was coincidence, but it creeped me out.

Commenters here have discussed Tom’s treatment of Asia in the book, so I had to ask him about…

Anthony Bourdain’s Last Girlfriend

CW: On page 217, you wrote…

“Tony’s ethic of relentlessly pushing the envelope — the very drive responsible for getting us where we were — had reached such a fever pitch, it felt like the pace was becoming unsustainable.”

It seemed you felt this while you were making the 2016 Rome episode with Asia. Why then? Was she trying to direct? What was the dynamic?

TV: A lot of scene ideas, like the boxing and pasta, and the stornellis [Italian street songs] that were so beautiful, were her idea. Those Roman folk songs are dirty and hilariously dark. She made a lot of creative contributions, but she was definitely not directing the episode. But it was very high stakes because Tony wanted to not fuck it up.

I think that period in general was particularly tough. The shoot with President Obama was coming up and completely top-secret. Constant battles with the accounting department were grating. Tony wanted to do fancier, more expensive things just as they were clamping down on the spending.

CW: Were you on the shoot with Tony and Asia in Southern Italy?

TV: I did do that one, yes.

CW: How were they together then? It seemed joyous. He was in love, and they were having fun at the beach, on the boat. Was the vibe good? Putting it in historical perspective, they had come out as a couple, right?

TV: I think we were in Portugal when they became public in February 2017. And Italy was June 2017.

CW: They were in their honeymoon phase.

TV: But it was an incredibly difficult shoot for a host of reasons. Italy is one of the greatest countries to visit, but also the most difficult and stressful from the production standpoint. For example, we set up this whole scene for a big party at a farm, then at the last minute the police shut us down because the location was being used as refugee resettlement area and it didn’t have the right permits. We lost an entire day of shooting due to some stupid bureaucratic miscommunication. Things like that were happening.

On the other side, I don’t think Tony was ever so nice and happy, to me, as he was on that shoot.

CW: Something we’ve debated at Cats Working is how you went to Rome seeking answers and met with Asia. She asked about his will and supposedly missing fortune. In the book, it seems like the first thing out of her mouth, but was it really further into the conversation?

TV: No, she pretty much opened with that.

CW: So, in so many words you conveyed her priority. Some seemed to fault you because they felt you were giving her a pass. Did she ever take any responsibility at all?

TV: I certainly don’t think she wanted Tony to kill himself. That probably screwed up her life in a lot of ways, too. I’m not saying she handled things the right way, by any stretch of imagination. But in my book — I wasn’t in Hong Kong or Florence — I only write about things I saw.

It was really difficult for me in that when Tony got together with her, he became a lot nicer to me. She was always very good to me. I think it’s unquestionable she played some role in his downfall. I guess I was blinded to the fact that something wrong was happening, whether it was her fault or not, because he got nicer to me.

CW: It sounds like she didn’t feel you were any threat, like maybe she did Zach or Helen.

TV: I knew how important pleasing her was to Tony. I moved mountains to make things happen, whatever he wanted, as I always did for Tony.

CW: Maybe she thought you were her ally. Perhaps you can confirm or debunk a rumor that circulated after he died. Did he ever buy her a house in Rome?

TV: No, he didn’t.

CW: In hindsight, that now makes sense. Where your book made my eyes Boing! out like a cartoon was when Tony told you she would be moving to New York in fall 2018.

TV: That was the plan.

CW: We dodged a bullet there, in a twisted way. The mess it would have created for everyone related to both of them. And to promote her “career,” he’d have found ways to get her in our faces every day.

TV: He was in love. He acted like a teenager about it. But he reacted to a lot of things like a teenager. That was part of his magic. He was really a romantic.

CW: He did have a certain boundless child-like enthusiasm. When he found something he really loved, a place a food, a person… That’s what made him inspiring for so many people. He pulled out all the stops.

TV: Back to the topic of giving Asia too much of a pass, in the book I don’t try to judge. It’s up to the reader, in the same way it was to me, to try to derive meaning from those things. It wasn’t always clear.

CW: I think you were even-handed. The Oral Biography seems more damning.

TV: I’m sure everything in the Oral Biography is true. What I include in my book is what I saw directly.

CW: That’s what sets your book apart. The Biography puts several degrees of separation between Tony and the reader. Your book is firsthand. Plus, you’re fair to the point of being too hard on yourself. Tom, the fact that you could go toe-to-toe with Tony for so many years and survive, while creating amazing TV, is proof that you’re much stronger than you probably think you are.

TV: Tony used to talk about how your greatest humiliations are most entertaining or funny for other people to read. I don’t think I 100% consciously set out to do that. But after having been steeped in Tony’s storytelling process for so long, I see the book is definitely a collection of my biggest fuckups and worst moments and failures. He was right, again. Those do make the most interesting stories.

CW: On page 282 you wrote…

“I’ve struggled with persistent questions of whether he actually cared enough about me to give me his best.”

I think if you can’t picture what his best would have looked like — had it been even better than what you got from him — that answers your question. I believe he did give you his best.

TV: He did.

CW: And I think a lot of people would agree.

BONUS: Tom loves cats.

Tom back home after a shoot, sacked out with the late Frida, aka “Mr. Whiskers”

CW: Being Cats Working, I have to ask about the many random shots of cats on your B roll that made it into the shows.

TV: Tony would joke a lot about my cats and my relationship with cats. I adore cats. So, the camera guys knew whenever a cat was around they would film it, and I’d use it in the edit.

CW: Do you have any cats currently?

TV: I do, Lucy and Tabby.

CW: Are they both females?

TV: They are. Both Tabby and Lucy are tabby white, which is half white, half tabby. But I think Lucy, because of her very distinctive meow and incredible elegance, is actually at least half or mostly Siamese. They’re rescue cats.


Conversation with Tom Vitale, Part 3

October 22, 2021

By Karen

Tom Vitale, author of In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain, published October 5, talked with me at length on October 10 and graciously expanded on some things he brought up in his book that left me with lingering questions about…

Anthony Bourdain, “The Talent”

CW: Throughout your book, you mention getting walkie-talkie notifications, “One hour till Tony,” “Five minutes till Tony.” What was he doing? Who was with him?

TV: Tony would be at the hotel, and we had a rough idea of what the day’s schedule was. I would call him about 30 minutes before he was supposed to leave his location. There would be a PA [production assistant] or his driver waiting for him in the lobby. The driver would send us updates on how far away they were.

The reason was that by the time Tony arrived, in an ideal scenario he’d be able to walk right out of the car into the scene, sit down, and not be distracted by setting up lights or any of the artifices of making television.

CW: What’s your theory on Tony’s reluctance to speak on camera? Do you think he was having sensory overload, or was he afraid of not being brilliant enough before he’d had a chance to process everything? Was he just being an asshole?

TV: He wasn’t being an asshole, at least, most of the time. I think the whole convention of the host talking to the camera was something he didn’t like. But when he found something particularly inspiring, he would talk to the camera.

In the first episode of Parts Unknown in Burma — I probably neglected to include this in the book — but there was a time when he thought there just wouldn’t be any more direct talking to the camera. That was a No Reservations thing. But he was so good at it and such a natural, there was no way that was ever going away, whether he wanted it to or not.

CW: Can you tell me anything else about his room service phobia? Did he have that same reluctance talking to airline ticket agents or desk clerks? Or was it specifically a room service thing?

TV: Tony was shy overall. The room service phobia I discovered a bit later. I wish I knew more about it. It seems very strange to me, too.

When we went to hotels, they definitely knew who we were and who he was. We weren’t just regular guests. Sometimes they would have the head chef and other prominent people from the food and beverage department of the hotel lined up to greet Tony when he arrived. Sometimes there would be crazy things left for him in his room from the hotel staff, like I remember one time a giant marzipan sculpture of him.

So, he was aware that they were aware of him. He must have thought, “Here’s this traveling chef guy who’s famous for liking to eat all the local food. Why would he be ordering room service?” That’s my best guess.

With a lot of things with Tony, if they seemed emotionally troubling, the best way to deal with them was by not confronting them. If I’d asked him about it, I don’t know exactly what he would have said, but he would have had some snarky, condescending answer and an eye roll, as a way to protect himself from whatever was causing the issue in the first place.

CW: In so many shows, Tony talked and made jokes about death. It was often really funny. Now, in hindsight when we see him doing that on a show, we go, “Oh, shit, if only we’d known.” Did you use most of his death talk or cut a lot out? I’m wondering how great that obsession was.

TV: It was pretty constant. “I’m going to hang myself in the shower stall,” was very common. But like everything with Tony, only about 1/70th of whatever we recorded made it into the finished show.

CW: I wondered if the editors would roll their eyes and say, “My god, he’s talking about death again. Let’s take this out.”

TV: We started rolling eyes over the “What would you have as your last meal?” thing, because it came up all the time and became a little less interesting to use.

The “My hotel room’s so awful, I’m going to hang myself in the shower stall,” kind of thing automatically would get cut without too much discussion because it didn’t reference anything in the show.

But it was always very funny, and I think it was funny to him at the time. It’s in retrospect that those things are particularly painful.

CW: Lately I’ve been watching reruns of No Reservations because I like seeing him when he seemed happier than those last two years of Parts Unknown.

TV: The stresses and pressures were greater during Parts Unknown, but he was not unhappier, I’d say, across the board. Clearly in that last six months, things got a bit more out of control.

But the difference between Tony No Reservations and Parts Unknown has more to do with the seriousness of the locations and the subject matter than it did with the general overall personality shift.

The people we’d spend time with were in more seriously precarious positions than they had been over the years. No Reservations was definitely a lighter time in general. The stakes just were lower. There was more room to screw up. And screwing up was an important part of the magic recipe. The space to risk screwing up was a very important space for Tony.

Final installment next week: The Last Girlfriend.


Conversation with Tom Vitale, Part 2

October 19, 2021

By Karen

Continuing my chat with Tom Vitale, author of In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain, published October 5. Tom filled me in on one aspect of Bourdain’s career that no one ever seemed to ask him about…

Anthony Bourdain’s Creative Process

CW: I’ve always been fascinated by writers’ habits. When Tony wrote at home, he worked first thing in the morning. With the volume he constantly put out, I was surprised when you told me he was a two-fingered typist. The documentary Roadrunner showed him in action a few times…

Tony’s early writing in his NYC apartment (from old unfinished documentary footage used in Roadrunner)
Years later, his typing technique hadn’t improved

CW: Since Tony always knew he’d have to write a voiceover, or edit one, did he write when he traveled? Did he carry a notebook for taking notes? How did he collect his material?

TV: He did have a notebook. A couple times he asked me to procure one for him when we were on shoots. He liked black Moleskins and would use whatever ballpoint or gel pen was handy.

All his writing was handwritten in first draft, always early in the morning, as far as I know, or late at night. Sometimes those times were the same.

Voiceover scripts we had to print out for him, regardless of where we were. He would rewrite them longhand, either on the script or in a notebook, and retype them. He was always very fast unless he didn’t like it and rewrote and typed the whole thing. It was a laborious process he’d go through, even when he had the electronic file.

CW: In the Hong Kong episode, when I first saw that now-classic shot of him sitting on the ferry with a notebook, I went, “Aha! He’s writing!”

Tony scribbles his now (in)famous “Asia” lines in what appears to be an unlined Moleskin with a black gel pen.

TV: He was really a big notebook guy.

CW: Did he ever write in airports during layovers or on planes?

TV: No, I wouldn’t see it that much. I think he needed to be in a zone, some kind of private space without distraction.

CW: I never saw him talk about his writing process.

TV: We had a lot of conversations about writing, because it was up to me when I was the director and the editors to write discretionary shit for the shows. He would tell us things over and over again. One was this “Kill your darlings” thing he’d learned from his writing teacher. Something about hacking up your favorite piece with a bleeding axe because it’s probably too over the top.

He also said that if you write 10 pages and two are even usable, that’s a really good day.

CW: So, you usually did the rough draft for his voiceovers.

TV: Yes, and our scripts he’d return then required a lot of editing. He’d turn a sentence into a paragraph. Sometimes the whole paragraph worked because his writing was so wonderful, and so was his delivery reading it.

But generally, his writing required quite a bit of work. He would make a powerful joke or statement and keep going with it, which then had to be edited for length. That was painful, because it was all really good.

I’m dyslexic myself and have trouble spelling. I imagine Tony must have been somewhat similar because his rewrites were horribly misspelled, with very strange grammar. He didn’t really worry about grammar, at least when he turned things around fast. Sentences would go on for paragraphs.

CW: When he recorded voiceovers, did he just read his script through, or was he watching a rough cut while doing it? From what you’re telling me, he didn’t make any effort to match what he said with the final footage.

TV: Quite often, he would do the exact opposite. He would watch a cut, put it away, and then write. They were very disconnected. He definitely was not writing to the cut. We either had to change what he’d written, or recut to film to match what he had written.

CW: Wow. Now I’m amazed that the finished episodes always meshed so beautifully.

Tom, I think you’ve got enough untold stories for another book. I came up with a title for you. Tony wrote Medium Raw. Your next book could be Raw, but Well Done. Feel free to use that.

TV: I was with him when he was writing Medium Raw. That was a horrible time for him, a lot of pressure. He saw it as a follow-up to Kitchen Confidential, and he was convinced he couldn’t live up to that. He suffered from writer’s block.

CW: I totally understand writer’s block. I started this blog in 2007, after publishing How to Work Like a CAT. Publishers expected authors to do our own marketing, and probably still do. But once I started blogging, it took so much out of me, writing for publication ceased. I’ve got half-baked book projects all over the house now.

I think Tony began doing so many interviews and putting out so much content, it dried up his well and sapped his creativity, too. You sit down to write and realize “I got nothing left.”

TV: That’s the sense I got from Hungry Ghost (title of Tony’s as-yet-unpublished manuscript). That writing was stuff he had not shared yet. It was a new thing to write about, very different, so he wouldn’t have had that problem.

CW: He found another vein to tap into that he hadn’t already used up.

During COVID, which I didn’t expect to drag on so long, I posted seven days a week for 142 days straight. That attracted a group of regular commenters, which was rewarding while it lasted. But the effort burned me out even more than I thought possible.

TV: Tony struggled with the blog posts he had to write for each episode, and it was exhausting for him. It’s hard to keep going at that speed.

CW: Sadly, he didn’t.

BONUS: Roadrunner the documentary came out on DVD October 12, and our own Tony B. was waiting. He hopped up on the TV stand during the first scenes and gave me this rare opportunity to catch him with his namesake…

“OK, you can tell me the truth. Who’s got the most animal magnetism?”

Conversation with Tom Vitale, Part 1

October 15, 2021

By Karen

Tom Vitale is author of In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain, published October 5.

We spoke by phone October 10. The full transcript of our wide-ranging convo runs 6,400 words, so I’ll be sharing it in a series of edited segments. First up…

Lingering (Now)-Solved Mysteries

Cats Working: Tom, thanks for doing this. How do you feel now that your book’s out and has a life of its own?

Tom Vitale: It’s weird and a bit surreal. It’s hard to be excited like I feel I should be, because it still means Tony’s gone. Overall, it’s becoming clearer that I needed to write the book to help process all the different crazy things going on inside my mind.

CW: I scanned back through the blog, and maybe you can tell me something about the Chase Sapphire incident. It was No Reservations, Season 6 —

TV: Yes, I know that quite well.

CW: Tony started using this credit card. In fact, I just rewatched Prague, and he flashes the card upside down, which I took as a “Fuck you, Chase.” What was that about?

TV: I worked on the Chase Sapphire integration in Harbin, China. He pays for a big meal at the end with his card. I remember Tony thanking me for that placement because it didn’t stand out like a sore thumb. Chase paid him for product placement. Typical Tony, he hated doing it.

TV pays pretty well, but not that well. The real money comes from product placement or endorsements, which Tony resisted because his integrity wouldn’t let him sell out. But he was always looking for ways to do something pretty low-impact. Chase Sapphire was one. I think we had to use it five times in that season and work it in naturally. There was a Bing thing we had to do once —

CW: Yes! My next question is Bing.com. He did a commercial.

TV: I had to direct that. Bing was a Microsoft search engine, and I don’t even know if it still exists. We staged a faux-production meeting, and we actually had to use Google to find Bing. Microsoft was hoping it was going to be big, and they paid for a commercial. I don’t remember if it ever aired. Nari, and I think Sandy, were in it.

CW: It aired because I saw it, but I don’t remember it. At the time, I wrote that Tony said in it he made all this travel plans using Bing.com.

TV: [Laughs]

CW: There was some outrage over Chase Sapphire, particularly. We thought evil Travel Channel had forced him to do it. But thanks to you, now the truth is on the record.

TV: Travel Channel probably proposed those. They came to him to all the time with product placements. I remember one involving Cadillac he refused, but they did it anyway, and he was furious.

He didn’t want to do them, but he also needed to pay for private school for his daughter and so on. He rejected many things and would joke, “You endorse Imodium one time, and then for the rest of your life, you’re the Imodium guy.”

He had so many opportunities over the years that he refused. Making those shows was so hard, he was looking for income that didn’t mean 250 days a year traveling around the world.

CW: Here’s more trivia. In August 2011, Bill Maher had Tony on his HBO show, Real Time, and Maher was an asshole. Tony came on with a copy of his latest book, and it sat uncomfortably on the table. It seemed Tony expected to discuss the book, but Maher ignored it. At one point Maher even called Tony “Arthur.” Did Tony ever mention it? He never did Bill Maher again.

TV: Tony used a lot of unflattering words to describe Bill Maher, but I don’t remember him saying anything specific. I never saw it, but he did not enjoy it.

CW: I would wonder why Bill Maher would set a guest up like that, but he’s just a dick.

TV: It was funny how personally Tony would take things. I once read this book called Cockpit Confidential by an airline pilot who basically dispelled notions about fear of flying. I was talking to Tony about it, thinking there was no way he’d be aware of this book. Not only was he aware, he was quite angry that the author ripped off his title for Kitchen Confidential. I just couldn’t believe he knew or cared, because the two books couldn’t compete in any way.

CW: That is funny. I’ve got a Cruise Confidential, about working on cruise ships, on my bookshelf. Tony created a genre.

Now I’m going to share a story I’ve never told anyone. Once upon a time, I received an email from a woman, I think on the West Coast, who told me she had Tony’s cellphone number. She’d been calling him repeatedly and hanging up because she wanted to hear his voice. She felt badly about it and decided to confess to me.

I kept telling her she had to stop it. She finally sent me a number and said, “OK, now that I’ve given his number to you, I feel free of it and I don’t have to call him anymore.”

I never heard from her again. This is the number she gave me [XXX-XXX-XXXX]. Do you remember if it was his?

TV: I’m looking it up right now. Yes, that was it.

CW: So, she really had it. I didn’t know what to do with that information at the time. Did he ever mention getting those hang-up calls?

TV: I don’t remember that specifically, but he was paranoid, and I’m sure that contributed. Very early in No Reservations, they put his phone number on the schedules. For some reason, there was a big kerfuffle and it was taken off. I don’t know if those things could be related.

He definitely would have done some thinking, like, “Where was my number left out? I was just on a shoot, and it was on the schedule.” He might have had some idea who it was.


BOOK REVIEW: In the Weeds (with Bourdain)

October 8, 2021

By Karen

This book’s full title is In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain by Tom Vitale, who spent well over a decade working as an editor, director and producer on all four of Bourdain’s travel series: A Cook’s Tour on Food Network, No Reservations and The Layover on Travel Channel, and Parts Unknown on CNN.

When I first wrote about this book back in May, I dissed this cover…

But now that I’ve read it, I think the cover is just right.

We’ve had a Bourdain avalanche lately. Last week it was his Definitive Oral Biography by his assistant Laurie Woolever. And now we have the inside scoop on his TV life.

Both books add considerably to what we thought we knew about Bourdain. What sets Vitale’s book apart (and above, I would argue) Woolever’s is its sometimes almost painful sense of immediacy and intimacy. Vitale’s writing seems infused with Tony’s darkly funny snark. For example, in describing a furious exchange Tom had with a member of the security squad in Libya, he writes…

“Damien reminded me he hadn’t been just any old soldier, but one of those specially trained killy soldiers.”

Vitale also has a keen eye for description and paints vivid pictures of the countries they visited. Of filming in Naples in 2010, he writes…

“Tony walked across the pebble beach and sat on the gunnel of a bright turquoise-and-red-striped fishing boat. It was one of those overcast days that did something strange to the light, amplifying rather than muting color. Clouds obscuring the sunset glowed an almost cotton candy pink and reflected off the shore.”

If you’ve seen the shows (Vitale directed about 100 of them in total), he makes you want to binge-watch them again.

I particularly enjoyed the chapter, “Jamaica Me Crazy,” where they filmed Parts Unknown in 2014. It was one of the rare times that Vitale and other crew indulged in a zany adventure that Tony was largely unaware of. (I happen to know the Jimmy Buffett’s Margaritaville in Ocho Rios where much of the action went down.)

In the Oral Bio, we get recollections of those who knew Tony, as told to Woolever, as told to us. But Vitale was THERE, in the weeds. His is a firsthand account of working, often under ungodly pressure, with Bourdain, who had conflicted feelings about even being on TV, and it often wasn’t pretty.

For all of Tony’s empathy with the people he met in his travels, much of the time he seemed oblivious to, or even deliberately fed, the crew’s tension and frustration. While filming in Baja, Vitale recalls Bourdain saying to him…

“Jeez, you never give up, do you?!” he joked. “When I die, you’ll be there at my funeral, poking me with a stick, asking, ‘What are your first impressions of being dead?’”

But I don’t want to give the impression that Vitale is out to trash Bourdain. It’s the opposite. In spite of everything, Tom loved and was devoted to the guy and never dreamed it would end so horribly.

Vitale is unsparing in exposing his own personal phobias and weaknesses, and is probably unaware that his efforts to overcome (most of) them seems almost heroic. He was willing to sacrifice anything to serve what he considered a higher purpose: helping Anthony Bourdain tell his stories.

Another difference with the Oral Bio is the chronology. Weeds opens in the immediate aftermath of Bourdain’s death, then Vitale weaves past and present together in a seamless way that totally makes sense.

Cats Working even gets a shoutout, but no spoilers here.

Vitale’s research involved immersing himself in the vast trove of documentation he’d collected — logs, notes, video. As a result, he could vividly recreate that life in a way that makes you almost forget Tony is no longer wandering the planet.

In the first few pages, Vitale describes an incident with Bourdain in Manila that’s never explained, but it foreshadows what happened to Eric Ripert when he entered Tony’s last hotel room France.

Vitale also recounts a violent incident during their second trip to Borneo that also never gets explained, but it shows a side of Tony darker than anyone has ever seen.

Such was Bourdain’s life. His public persona was all about confidence, love and acceptance, but privately, he was filled with doubts, insecurity and possibly self-loathing. Vitale saw it all, and tried to alleviate the bad stuff when he could.

I’m grateful that Tom Vitale chose to work through his pain and regrets by putting them on paper, giving us a better understanding of the man who entranced the world while thinking so little of himself.

BONUS: Coming up next week is my interview with Tom Vitale.


REVIEW: Bourdain, the Definitive Oral Biography

October 1, 2021

By Karen

Anthony Bourdain’s assistant Laurie Woolever has pulled off another remarkable feat with Bourdain: the Definitive Oral Biography, although I wonder how “definitive” it will ultimately be. I still have 100 pages to go, but I can’t wait to tell you about this book.

Woolever interviewed 91 people Tony knew throughout his life. Some are his famous friends or career-related contacts whose names I recognize, but many aren’t.

Most notably, Woolever spoke at length with Tony’s first wife Nancy (who also contributed touching never-before-seen photos) and his now-14-year-old daughter Ariane. Cats Working readers who have always wondered about these two important females in his life will be gratified by how openly they share their memories.

The book’s format surprised me in the best way. I expected 91 straight interviews, which risked becoming dull and redundant. Instead, Woolever pulled off the Herculean task of breaking each interview down by topic, then reassembling those pieces under 59 page-turning chapter headings into a miraculous chronological narrative.

Instead of picturing each person sitting across from Woolever with a tape recorder between them, it’s more like she gathered a room full of people to casually share notes on Tony topics like, “I Absolutely Always Saw a Talent in Him,” “I’m Not Gonna Censor the Guy,” “He Was a Man of Extremes,” and so on.

This, coming on the heels of her previous project, where she stitched together World Travel: An Irreverent Guide from Bourdain’s vast trove of published materials, makes me think Woolever does 1,000-piece jigsaw puzzles for fun, like those geniuses on YouTube who solve Rubik’s Cubes in 5 seconds.

Tony’s brother Chris and mother Gladys (who died in 2020) are included, and they sketch out the most complete picture yet of Tony’s father, Pierre Bourdain, and Tony’s relationship with him. The closest I’ll come to a spoiler is to say that you’ll see Tony’s parents in a whole new light, particularly Gladys.

Of course, Ottavia pops in throughout, although Nancy naturally dominates the early years when she and Tony were together, and we learn some of her side of that story for the first time. As the person who “outed” Nancy online back in 2008 in an old episode of A Cook’s Tour, I was stunned (and chagrined) by her revelations about traveling to Spain with Tony.

Nancy connected Woolever with friends who knew Tony in high school and at Vassar, but the one period where there seems to be a hole is during his CIA years (the culinary school, not the spy agency), and what kind of student he was there.

With 100 pages still to go, I haven’t quite gotten into his final years and what I know is coming, although late last night I touched the edge of that on page 330 when someone said, “And then fucking what’s-her-name entered his life…”

Woolever, keeping the wagons circled, didn’t interview “fucking what’s-her-name,” nor, I’m curious as to why, Tony’s most notorious “fixer,” Zamir.

My next observation isn’t to fault Woolever in any way, because I’m gaining (and confirming) many insights into Tony’s behavior and events.

Weirdly, many people speak of him in present tense as if he were still alive. But even so, because they and Woolever are two layers between the reader and Tony, I feel like I’m in one of those dreams where you’re searching for someone. You keep meeting people who say, “Oh, he was here a minute ago, and he did this…” but he’s always just around the next corner and out of sight and you wake up without finding him. I guess there’s no escaping this detached quality, given the secondhand material Woolever’s working with. But the people she talks to tell myriad great stories about him.

The other thing that surprised me physically about the book is the rough paper, which seems destined to turn yellow. You’d think anything with Definitive in the title would have some archival quality, but I’m guessing it was a cost decision.

Bottom line: If you’re still curious about Anthony Bourdain, this is a book to read sooner rather than later.

PS: On Tuesday, October 5, we have another Bourdain book coming out, In the Weeds: Around the World and Behind-the-Scenes with Anthony Bourdain, by Tom Vitale, who directed 100 episodes of Tony’s various travel shows. I’ve already read it and will have much, much more to come on it, so stay tuned.

Trust me, there’s virtually no overlap between these books, even though Vitale is interviewed in the Biography. I found Tom’s to be the more satisfying book because you can call it anything but detached. However, both are must-reads if you want answers to many (not all) of the questions Tony left us with. I hope we’ll have conversations here about both books, so get reading!


Cats Working May be Haunted

July 30, 2021

By Karen

Yesterday was a big day here, but as in any suspense tale, I’m going to work backward to describe it.

Last night, after an afternoon under the bed (why in a minute), Tony must have been feeling his 31 days of fame waning as Mr. July on the Richmond Animal League’s calendar.

After dinner, he threw himself down on the living room floor to contemplate his next career move and wonder if he had peaked too soon…

“Could I really be a has-been at 2 years old?”

But with Tony’s looks, brains and charisma, he has nothing to worry about. I’m sure we’ll figure something out.

In the afternoon, a crew I’ve been waiting nearly two months for finally showed up to take down the dead tree in the front yard.

In the spring, I worried when that tree was a few weeks late putting out leaves, and its trunk looked paler than the others. Then when all the new leaves immediately began to die, I had to pull the plug on it or risk it taking out my office and the kitchen in a storm.

I never watch when I lose a tree, but I think it came down in sections because there was never a big crash. A lot of moss in the yard was torn up where I guess the pieces fell.

Nevertheless, it was a noisy business. Roc sat calmly in the living room with me through it all. Max stayed in the Man Cave and Tony went under the bed.

Grinding the stump turned out to be the worst of it. This is now our view from the big kitchen window. The red circle is where the tree was…

Now all is sawdust where once there was moss.

My yard guy isn’t returning my calls about cleaning up. Here’s the mess from the walk, facing the house. This isn’t a situation that’s just going to heal itself over time…

The rocks strewn about were the border of a patch of daffodils and azaleas, now a wasteland.

But the day began in my bedroom with something I wouldn’t have believed if I hadn’t seen it myself. This bookcase is one of six around the house and stands opposite my bed. It holds mostly New Age books from my 30s, as well as other prized volumes, like the copy of Little Women I got at Orchard House, Louisa May Alcott’s home in Concord, Massachusetts, where she wrote it…

The corner shelf holds some of my vast cats collection.

Notice the arrow pointing to a book I pulled out on the bottom shelf, just to show you where it came from. It was actually on the shelf in line with the rest. Since Roc refused to participate in a reenactment, the black stuffy cat on the floor is his stand-in, and a waterbowl is to its left.

Anyway, I was making the bed and Roc was getting a drink. He turned to walk past the bookcase when that book suddenly flew out and fell on the floor in front of him. Roc jumped back, but then calmly went around it and hunkered down in the opposite corner to watch ME.

Did he know or see who did that?

It was just like the poltergeist activity you see on Paranormal: Caught on Camera.

The cats never bother that bookcase, and I haven’t touched it myself in months. This is the book that flew out…

Why this book? Does the title have any significance?

It happens to be the last book I shelved there, unfinished because I didn’t like it. I felt a little tingly as I put it back.

There’s no way that book moved on its own. No book has EVER fallen off that shelf before. So, what was it? It couldn’t have been the spirit of the tree, because this happened hours before either of us knew it was going down that day.

BONUS: Cats Working reader Glamour Milk uncovered this (possibly) maiden interview with Anthony Bourdain in 1995. He was just 39, pre-thumb ring, pre-Les Halles, beginning his writing career as a novelist with Bone in the Throat)…

On “Connie Martinson Talks Books,” August 1995

He wrote a second novel, Gone Bamboo, before he hit it big with Kitchen Confidential. You have to download the interview here…

https://ccdl.claremont.edu/digital/collection/cmt/search/searchterm/Bourdain%2C%20Anthony/field/creato/mode/exact/conn/and

But it’s well worth it, especially in hindsight, for what he says about loyalty and betrayal.

Many thanks to Glamour Milk for her online sleuthing. Morgan Neville might have been interested in this for Roadrunner, had he uncovered it.

The same link includes another 2002 interview about A Cook’s Tour. Notice Tony’s marked increase in confidence, sophistication and gray hair. Also, the thumb ring.


Bourdain Would Be on Medicare Today

June 25, 2021

By Karen

Today would have been Anthony Bourdain’s 65th birthday and he’d have his Medicare card. Seems hard to believe, doesn’t it?

In 2019, Tony’s friends Eric Ripert and José Andrés began the tradition of June 25 being #BourdainDay to celebrate Tony’s memory, if you care to. Latestly.com proposed five ways to honor Bourdain that I like, so I won’t repeat them, but I recommend them.

Instead, I’ll share some new and personal tidbits I’ve gathered…

Tony’s Last Home – His apartment in the former Time Warner building, now called Deutsche Bank Center, is available again. Bourdain paid $13K a month, the next tenants paid $14.2K. The cachet has apparently worn off because the asking price has dropped to $12K. I immediately wondered if the place is haunted.

I think I’ve been watching too much Paranormal: Caught on Camera.

If you’re interested, it’s a two bedroom, two bath, 1,200-square foot unit with a downright blah kitchen and no charm whatsoever except its panoramic river view. Photos.

Les Halles, the PopUp – Tony’s pre-fame employer, Brasserie Les Halles in NYC, is reopening as a popup from Friday, July 9 through Sunday, July 11 to serve a $95 three-course prix-fixe meal that includes French onion soup, steak frites au poivre and dessert. Reservation required. The restaurant has been closed since 2017.

Roadrunner Documentary – This film is out there now, having premiered June 11 at the Tribeca Film Festival, but it’s hitting theaters and HBO Max July 16. I’ve heard it may have a limited run, so it may be on CNN by this fall?

I get HBO Max, so I’ll probably watch it there in private in case I’m overwhelmed. But if you can’t wait, the American Film Institute is showing it TONIGHT only at 8 p.m. – midnight EDT online. I think admission is $15. Sign up here.

I don’t want to give away spoilers (not that I know many), but I’ve read some disturbing reviews of it. Director Morgan Neville gave this insightful interview to Firstpost.com.

I think it’s OK to share that three women in Bourdain’s life do not NOT have substantive roles. They are: 1) first wife Nancy, 2) Italian girlfriend, and 3) daughter Ariane.

Reasons: 1) relevance to the years covered; 2) we know this could have gone either way, but Neville realized she’s written her own script, and it wouldn’t have added clarity; and 3) privacy.

Upcoming Bourdain Books – Publication of Laurie Woolever’s Bourdain: The Definitive Oral Biography has been advanced from October 12 to September 28. That gives you two weeks to read it before Tom Vitale’s book, In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain, is published on October 12.

I wrote about both of these back in May, and I’ve learned a bit more about Vitale’s book. It’s a memoir of his many years filming with Tony, so behind-the-scenes stories galore, probably many we’ve never heard. The cover that currently appears on Amazon, which I dissed in May, is actually THE cover.

Almost forgot: Cats Working gets a mention in In the Weeds. In what context, I don’t really know. Apparently, my years-long coverage got Tony’s attention more than I ever imagined.

To finish on a personal note with the books, I’m almost finished with World Travel: An Irreverent Guide, and when I got to Trinidad and Tobago, a line Laurie Woolever used from Parts Unknown made me put the book down for a week to process it. Tony is quoted as saying…

“Tobago is what you hope for when you waddle away from the buffet on the SS Norway [bold mine] cruise ship. Lazy beach days, boat drinks, villas, all set to a calypso beat.”

Except that I just watched the episode on HBO Max (with earphones) to write this and what he actually said (at 37:18) was, “SS Norwalk.” Close enough to be suspicious, but I’m taking it as random.

Context: the Norway was “my” ship from 1988–2003. I sailed 23 times and had life-changing experiences, but I’ve published almost nothing about them. It stunned me to think that he could have read enough of my work to mention the ship because it had been long destroyed by then.

But as it turns out, he didn’t.

Tony presumably on Tobago

The Cats Check In & New Bourdain Book

May 21, 2021

By Karen

It’s TGIF here today. I snapped pics of the crew this morning so you can see how they’re doing. After finally shoveling a mammoth editing project out of here, this week I was finally able start reading World Travel: An Irreverent Guide by Laurie Woolever, channeling Anthony Bourdain. I’m enjoying it and awed by the research. But the dips into each country are so brief, I want to rewatch the shows she sourced to see the meals and restaurants again.

AND this week I happened upon a second worthwhile Bourdain book coming out on October 12, same day as Woolever’s Bourdain: The Definitive Oral Biography, which now has a cover…

Tom Vitale, Tony’s longtime director and producer, has written In the Weeds: Around the World and Behind the Scenes with Anthony Bourdain. It’s being published by Hachette in hardcover (not Bourdain’s Ecco imprint). At only 6” x 9”, I assume it’s more narrative than the oversized photo books previously published about the shows, which is great. I hope Hachette does better with the cover art and this is just their Amazon placeholder…

Amazon’s also peddling at least three unauthorized Bourdain “biographies.” One is 53 pages, has no named author, and you can get it free with Kindle Unlimited. Another is only 17 pages by a writer — probably fittingly — named Dumm. And the third bio is supposedly 30 pages of “interesting facts.”

A fourth 152-page book is an English translation of “Reflections” on his death “by Suicide????” (question marks are in the actual title, so, believable????). The original is in Spanish and seems to be a dredging of the conspiracy delusions we were fed by certain parties in Italy, if you get my drift.

I’ve decided not to read these because it means buying them, and I don’t want to support them. Also, it wouldn’t surprise me — but would totally piss me off — if I found material lifted from Cats Working. Better for them that I never know.

But back to the cats…

Tony says, “Party this weekend like it’s 2019!” He’s got a birthday coming up. Does he look more grown up these days?
Roc says, “Take it easy by curling up in your favorite perch by a window and soak in some rays on your tush.”
Max says, “Relax in your Man Cave or anywhere else you can get away from the crazy frat boys.”

%d bloggers like this: